by Kate Richardson
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The Spirit Soaring Art Salon and Gallery formed the core and bulk of my experience at the Parliament of 2018. In the weeks leading up to it, I had already been reaching out to and communicating with artists who might participate. When I arrived on Thursday, the first thing I did after checking in at the EarthSpirit booth was to start setting up the gallery space, located in a generous alcove right next to the Red Tent. Deirdre negotiated lighting as I unloaded my easels and tables (the overhead fluorescents were on one switch, and lit both gallery and Red Tent).
Deborah Koff-Chapin showed up early, and set up a table draped with a banner and decks of her Soul Cards. Deborah then spent every plenary and assembly making ‘touch paintings’ in response to the speakers and performers; keep an eye out for an online gallery of her Parliament work. Swami Matagiri Perkins dropped off two paintings by Ma Jaya Sati Bhagavati, and I set up a table with the drawing I had brought and some cards, just so it wouldn’t seem empty.
Over the next couple of days more work arrived and the space became full and lively. One evening an artists who became aware of the gallery while visiting the Red Tent
Mosa’s altar and Carolyn’s mask (photo by Moira Ashleigh)
called me to ask if she could set up an altar. I enthusiastically invited her to do so; it was a thing I wished I had the energy and resources to plan and execute but had not been able to. So I met Mosa McNeilly, who set up a beautiful and deeply meaningful altar honoring Yemaya, and her ancestors brought from Africa to America. She gave permission to share the poem she posted alongside the altar, which I will do in a separate post.
Sunday morning I arrived to check on the gallery and found some striking drawings of stylized goddess faces right next to Carolyn Hawthorn’s paper sculpture of Medusa’s head, resonating with her fierce energy. I did not get to meet the artist, Megha Venketasamy, until the actual Salon on Monday, just another example of the beautiful synergy of our location right next to the Red Tent. I can’t speak enough gratitude for the way ALisa and the Red Tent holders shared the space and the flow of energy through our area. The Spirit Soaring gallery and the Red Tent experienced a flow of conversation, energy and experience between them that felt inviting and richly creative.
Finally Monday noon arrived, and the gallery filled with even more art, along with all the artists and others who came to attend the Salon. I patterned the presentation on our EarthSpirit Art Salons. Each of the artists briefly introduced herself and her work, then presented some statement or demonstration of how her creative process connects with or expresses her spirituality. With 17 artists presenting, we used the entire 90 minute time allotted, and many stayed later to engage or continue conversations.
Dr. Suresh dancing (photo by Moira Ashleigh)
The offerings were wide-ranging. There were drawings, paintings and photography, weavings and tapestries, and books. Cheri Jamison sang an operatic aria, Mani Rao sang one of the Zoroastrian devotional songs she has composed, Dr. Padmaja Suresh along with her spoken presentation, demonstrated her training in Indian classical dance. Mosa read her poem and called on Yemaya with chant and rattle. The artists came from different disciplines and different spiritual backgrounds, and there was a joyful enthusiasm of sharing the wealth and range of expression.
Many of the artists expressed interest in keeping in touch with each other, and following each others’ work. I felt that the supportive, engaging experience I’ve had with our EarthSpirit Art Salon’s format translated very well to this setting. I received enthusiastic feedback encouraging us to repeat and expand upon it for the next Parliament.
I had thought this would be the end of my blog post, which I drafted after the Art Salon, but the experience continued! On Tuesday, the art started to leave the gallery, and I started to break down the easels and tables. In the late afternoon as the space was emptying out, Mosa came by with some friends, and began drumming on some drums she’d left there after a workshop. People began dancing, and joining in the drumming and chanting. The now mostly empty gallery space became an impromptu drum and dance, which seemed a most fitting closing for the joyful expressive energy that had inhabited that corner of the convention center. It delighted me as I was preparing to let go of a space I’d been holding all week, and seemed like a natural outgrowth of the kind of energy that EarthSpirit seems to join with and bring forth in the world.